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Angela Page has been traditionally, self, and hybrid published and is quite familiar with the pros and cons of each.
Starting out as a short story writer and playwright, she branched out into screenwriting.
Her work became intellectual property for her films and one (“Sylvia”) has even been optioned for a TV series.
In addition, she has also novelized her screenplays and been hired to adapt novels into scripts.
In this episode, Angela Page joins internationally-acclaimed bestselling fiction novelist Lana McAra for a wide-ranging and deeply informative conversation from the perspective who has pretty much seen it all and brings a perspective the versatility and viability of fiction writing you haven’t seen before – up until now.
When your fiction writing has cross-appeal across multiple platforms and a following that moves with you from one platform to the next, that’s evidence of your #Unputdownable bonafides.
Tune in now and get Angela Page’s thoughts on:
- How she decided to adapt her short story into her first film, and why
- What makes a compelling story for a movie, and how to adapt fiction writing for this very different format
- Secrets of how to break into the film business as a fiction writer
- Whether you should try to write your own film scripts or get someone else
- And much, much more!
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Claim your instant free access to Angela Page’s audiobook “There’s a Dead Girl in my Yard” now:
https://www.audible.com/pd/Theres-a-Dead-Girl-in-My-Yard-Audiobook/B0BL9435BJ
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About the Author: Angela Page
Angela Page is a writer and film producer.
Her short stories, essays and articles have been published in a variety of zines and anthologies.
Published books include "Matched in Heaven," the novella and dating guide "Suddenly Single Sylvia" and "There's a Dead Girl in My Yard."
Angela’s films based on short stories and novels are featured on the "Shorts TV" channel, FunnyorDie, and Indiepix.
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